,Mad God 2021 poster

Sitges Double Feature! Mad God and Halloween Kills

Why I took them off my list: For my final Double Feature review from the 2021 Sitges Film Festival, I’m taking at look at two films that share a similarly bleak outlook but that take very different approaches in their narrative and execution.

Review of Mad God (2021)

mad god 2021 animation

Aside from being one of the greatest places in the world to see the best new offerings in the horror genre, the Sitges Film Festival is also increasingly becoming a great showcase for animation, particularly offbeat animated films that might struggle to find an audience otherwise.

This is certainly the case for the first entry in my last Sitges Double Feature review, a full-length feature that took over 30 years of painstaking work and struggle of trying to bring the far-from-commercial and somewhat edgy material to the screen.

Although not a household name, there is little doubt that Phil Tippet is a god in terms of the history of animation, responsible for iconic creations such as the AT-ATs in The Empire Strikes Back (1980) and the velociraptors in Jurassic Park (1993), among a whole host of other memorable beasties from the 1970s onwards, including Jabba the Hutt and the terrifying alien bugs from Starship Troopers (1997).

His incredible vision and technical skill are on full display in Mad God, as we are presented with a series of grotesque, richly populated apocalyptic environments reminiscent of some of Terry Gilliam’s films, and brilliantly designed and animated creatures.

You Are Likely to Feel A Bit Lost

Mad God is never boring to look at, but Tippet’s nihilistic outlook and the often revolting images he conjures up can be a bit of an endurance test. The lack of story can also be a bit frustrating at times. Although the film starts off following one character, this point of reference soon disappears and we are thrown into a bizarre whirlwind of strange goings on in this disturbing, chaotic world.

This can be disorienting at times, and while the overall message Tippet is trying to convey comes across loud and clear, the film might have benefited from a little bit more of a story and characters to invest in.

Final score: 6.5/10

Worth Checking Out?

Based purely on its technical achievements and incredible visuals, yes. But, like with Valerie and Her Week of Wonders, which I recently reviewed, those looking for a straightforward story to follow are going to be left wanting.

Review of Halloween Kills (2021)

Although far from a One That Got Away, I felt like putting my 2 cents in on Halloween Kills, the latest installment in the neverending Michael Myers saga, because the screening at Sitges was maybe the most fun I went to. The audience knew just how to enjoy a Halloween film, and almost every brutal blow and inventive kill inflicted by the seemingly unstoppable Myers was met by rapturous applause.

I was also puzzled by the mostly negative reviews it received from critics. While not a game-changing masterpiece, I thought that the film did a good job of honoring the franchise’s past while straying away from the typical formula in some pleasing ways.

Filled to the Brim With Tense Setpieces

In the end, as with the insights into long-lasting trauma in the previous film, Halloween Kills has some interesting things to say about mob mentality. In the scenes where a righteously angry mob hunts for Michael, it really feels fresh as a Halloween story, particularly in a terrifyingly chaotic scene set in a hospital.

Much of the rest of the film admittedly follows the same tried and true stalk-and-slash formula we have seen in many a Halloween film past. Saying that, though, many of Michael’s kills are impressively mounted and leave a brutal lasting impression, notably his attack on a squad of firefighters outside a burning house, and a surprise assault on an unexpected character just before the credits roll.

Final Score: 7/10

Worth Checking Out?

I may be biased because I saw it in such a lively setting, but if you are a fan of horror then I would say so. Halloween Kills may not break the slasher mould as much it would like to think it does, but it’s still a gripping and entertaining ride.

Stay tuned for my final Double Feature review as Halloween approaches!


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  3. […] on show at the Sitges Film Festival in 2021, but I only got round to seeing one, the grotesque stop-motion feature Mad God. Also in the line-up was the animated fantasy epic The Spine of Night, which I sadly […]

  4. […] I took it off the list: I first heard about this unconventional animated film when I saw that it had been nominated for various Oscars this year, including Best Documentary […]

  5. […] visually stunning, and the photography tells a story in itself. The way that the film morphs from a grim dystopian aesthetic like something out of a Terry Gilliam film to more naturalistic visuals as the protagonist begins […]

  6. […] I took it off the list: Another offbeat animated entry at the 2021 Sitges Film Festival that I failed to catch at the event, I wasn’t sure what to make of Crytpozoo from the short […]

  7. […] been meaning to watch, Antibirth (2016) was also a horror-comedy, I thought they would make a great double feature! So, let’s dig […]

  8. […] with Halloween Kills, The Advent Calendar is not exactly a One that Got Away, as it was only released earlier this month […]

  9. […] I took it off the list: I first heard about this unconventional animated film when I saw that it had been nominated for various Oscars this year, including Best Documentary […]

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